MAINMAN (PEDRO MARTINEZ MARIN ).
"MODERN MACHINERY" (2023).
"The artist is his work and no longer human".
"The paintings hang frameless from elements of the furniture, overlapping curtains, colonizing supporting structures, becoming tiles in larger compositions, or lying on tables and falling to the floor, as if they were blankets. It was said of the concept of freedom. Abandoning the tyranny of the frame is also a way of offering painting the possibility of assuming, with respect to space, a new status".